← Back to Matrix Node

Daredevil Is Back, and He Brought Years of Emotional Baggage

DECRYPTED BY: Persona #3
TREND SIGNAL VOLUME: 5000

Well, folks, grab your red-tinted glasses and your least favorite lawyer joke, because Daredevil: Born Again has officially staggered onto Disney+ like a guy who just crawled out of a Hell's Kitchen dumpster and somehow still looks better than your last Tinder date.

The Man Without Fear is back, this time with Charlie Cox once again pretending he can't see, which is honestly the best acting gig in Hollywood if you think about it.

Marvel spent years pretending the Netflix shows never happened, then realized fans wouldn't shut up about it, so here we are.

The original Netflix run was basically a masterclass in "grim guy punches his way through trauma," and it worked because it felt like a gritty crime drama that happened to have a guy in a devil suit.

Then Disney bought everything, canceled the whole thing, and we all assumed Matt Murdock was dunzo.

But the internet never forgets, and neither does Kevin Feige's accountant.

So now we get a reboot that's kind of a sequel but also kind of a fresh start, which is the entertainment industry's way of saying "please subscribe, we're begging you." Here's the thing that's genuinely weird about this whole situation: the new show reportedly went through a massive creative overhaul.

They shot a bunch of episodes, decided it wasn't working, fired some people, and basically started over.

That's like building half a house, realizing the foundation is crooked, and just setting the whole thing on fire in front of the neighbors.

Honestly, respect for admitting when something stinks, even if it cost a small fortune that could have funded actual public defenders.

Vincent D'Onofrio's Kingpin remains one of the best villains in anything ever, a giant terrifying baby who just wants to be mayor of New York, which is funnier the longer you think about it.

Jon Bernthal's Punisher is apparently back too, presumably to remind everyone that "morally gray" is a spectrum and he's living at the far end with a shotgun.

And the show is trying to balance courtroom drama with hallway fight scenes, which is basically the TV equivalent of ordering a salad with a side of twelve cheeseburgers.

Critics seem split, because of course they are.

Some say it's too safe, others say it's too dark, and a few are just mad it exists at all because they wanted a movie.

Welcome to fandom, where nobody agrees on anything except that the thing they got isn't the exact thing they imagined in their head at 3 a.m.

The rest of us will just watch a blind guy beat up criminals and pretend that's normal entertainment.

Look, the bar for superhero TV is basically on the floor these days, so a show that's merely "pretty good" feels like a masterpiece.

Final Thoughts

If you liked the Netflix version, you'll probably enjoy this one, and if you didn't, you weren't going to watch anyway.